A New Approach to the Music Simulation

In this paper a new approach to the simulation of musical compositions with the aid of traditional architecture computers and neurosystems is being developed. Here the simulation of music is treated as its composition and analysis. In such a way, there are two fundamental problems in music simulation: creation of 'electron composer' and 'electron musical critic'. In this preprint some steps are made towards the creation of 'electronic musical critic'. Particularly, new conceptions of 'beauty of the melody note', 'importance of the note' and 'sensibility of the melody' are introduced. The methods of determining the appropriate values for the particular melody, and relations, by which these values are associated, are proposed. There are offered different approaches to the determining of these values by means of neural networks. Some methods for the musical composition and perspectives for further research are also considered.